Bodycons, Eat Your Heart Out – Meet Malaysia’s ULTRA

ULTRA Woman is a new brand launched last season by four designers and thinkers from Kuala Lumpur, Malaysia and Shanghai, China. The collection is the first fashion venture of ‘We are Ultra,’ a collective of designers, thinkers and makers all grounded in the consciousness of their actions. The collective was started by Tengku Chanela Jamidah and Anita Hawkins in 2009 as a way to get the word out about sustainable living in Asia. They recruited innovative fashion designers, Tengku Syahmi and Jonathan Liang, shortly after a meeting at Chic Pop – Kuala Lumpur’s coolest street market.

With a strong mission for sustainability, the label employs and maintains close working relationships with artisans to craft each made-to-order piece. The team is also pioneering their innovative designs using materials such as recycled polyester, PET and leather as well as discarded tuxedos and eco-friendly materials such as Tencel and salmon-skin.

ULTRA Woman debut collection

ULTRA Woman debut collection

Inspired by the likes of Alexander Wang and Nicolas Ghesquiere, ULTRA will be the new staple for any minimalist fashionista. Think straight-legged trousers, simple angular cut-outs, tuxedo dresses, cropped cape jackets and body-con mini’s in shades of black and white. This is the epitome of high-fashion, luxury design and sustainable innovation. Rock chicks get on board!

(via Ode to Liberty)

(via Ode to Liberty)

Having just used Kickstarter to raise the funds to produce their next collection, ULTRA is planning to take Paris Fashion Week by storm. Next month, we expect to read loads of flattering reviews of their Paris exhibition. First, let’s see what they pull off for Colombo Fashion Week happening next week!

4 Equal Sides – The Study of Tara St James

If you haven’t heard of The Square Project or Tara St James yet, this is your moment. The Square Project is the brainchild of New York-based ethical fashion designer Tara St James and the design collective, Study NY. Tara has been at the forefront of the ethical fashion movement for many years now and has recently branched out as the head of Study NY.

Study NY S/S 2011

Study NY S/S 2011

The Square Project is a study of shapes in relation to the human form – starting with (naturally) the square. For last season’s Green Shows at New York Fashion Week, Tara produced a small clothing collection for the collective in which she experimented with how different square shapes form to the body in interesting and wholly unique ways. The collection was comprised of nine styles in two colours, all created using a different number of squares.

The Square Project A/W 2010

Beyond fashion, the collective also produces jewelry, photography, music, video, graphic design and fine art projects all with a mission for sustainable production. Every artist in the collective aims to use recycled and organic materials as much as possible with the least amount of carbon impact as possible.

Prior to launching Study NY, Tara St James has worked as a fashion designer for over 12 years, mainly designing for denim brands. More recently, she has been the mastermind behind a sportswear label called Covet, which has been featured in the likes of Elle, Lucky and Women’s Wear Daily.

For Fall 2011, she is partnering with the Peru-based Awamaki Lab project on a collection which incorporates traditional woven textile techniques from Peru. This will include some really intricate and elaborate sweaters, how exciting! The first official launch of the Awamaki Lab project is happening on this Thursday at Guilded in New York, so if you are based in NYC – you won’t want to miss this.

Awamaki Lab project preview

Tara has also just won the coveted 2011 Ecco Domani award. As one of only seven designers to win the $25,000 grant to present at next month’s New York Fashion Week, the abundance of her talent is more than evident.

For Tara and for many ethical fashionistas, fashion has always been about more than trends and style but also about wearing our personal philosophies as brands. With Study NY, she wants to dispel the myth that ‘sustainable’ and ‘ethical’ fashion cannot be luxury. Quite the opposite. Tara strives to show that fashion design (and especially ethical fashion design) can still very much be an art form – a wearable one, at that! You only need to take a quick glance at The Square Project collection for proof.

Tara St James A/W 2010

While the industry has improved massively over the last couple of years, Tara has expressed concern – and rightly so – about the fact that production methods and factories in general are still severely lacking and could definitely use an overhaul. This is one reason why Tara often tries to incorporate recycled and dead-stock materials into her designs and uses a zero-waste approach in her patterns. Not only that but she enjoys the mathematical challenge presented by no-waste pattern making. She also relies on a fair trade factory in India and a women’s co-op of knitters in Bolivia.

Tara has also recently become a core team member of the innovative initiative, The Uniform Project, and is the designer of its LBD (Little Black Dress) designs. The Uniform Project was established in 2009 by Sheen Matheiken who pledged to wear one little black dress for 365 days as an exercise in sustainability and as a fundraiser for an organisation providing education to children living in Indian slums. Tara is now working on the second series of The Uniform Project – One Dress. One Month. One Cause.

Tara St James - LBD for Uniform Project via Treehugger

Basically, we could go on forever about all of Tara’s amazing ethical fashion endeavors. Keep an eye on her and Study NY in 2011!

An Ethical Fashion Christmas – The Ultimate Wishlist

Borders and Frontiers are terms that inspire questions about globalization, migration, technology, transnationalism and other such political and cultural processes. It’s suiting that this is the name of a new London based design company that emphasizes environmental and ethical approaches to design.

Borders & Frontiers works by way of collaborative projects with people from a range of diverse backgrounds, helping to develop, showcase and bring attention to new talent – all with an environmental and ethical focus. This belief in the idea of collective intelligence has made collaborations a core element from the very onset, with the first initiative bringing together 11 fashion related bloggers to do a collection based on the classic white T-shirt.

The most current collaboration with Danish photographer, Kim Høltermand, is a series of digital prints of Icelandic landscapes on dresses and scarves made of luxurious Ahimsa (peace) silk. ‘Ahimsa’ means non-violence and is a process of creating silk from cocoons without killing the pupae inside.

This ethereal scarf is on top of the Launderette Christmas wish-list:

Icelands Ahimsa Silk Scarf

Icelands Ahimsa Silk Scarf

As for another Danish treat, eminent ethical fashion label – Bllack Noir continues to make the most covetable garments for the rock n’ roll style girl. The design is heavily inspired by rock goddesses from different decades and appeals to young environmentally-conscious women with a look that is edgy and exclusive. Think motorcycle jackets, super skinny cigarette trousers, metallic draped dresses and black black black black black!

In line with Noir’s ethos of making corporate social responsibility ‘sexy’, they use the principles of the UN Global Compact and the conventions of the International Labor Organization as guidelines in all links of the production process. Manufacturers are selected based on their commitment to quality, respect for social ethics and the environment. All suppliers are audited on a regular basis to ensure that the above standards are adhered to.

For spring, this is definitely the Launderette “it” dress. It’s fresh, clean and super edgy:

BLLACK-NOIR SS11

BLLACK-NOIR SS11

This next wish-list darling is completely epic! Sarajevo designer, Amila Hrustic uses recycled and recyclable materials to create garments inspired by Platonian mathematics. Plato theorized that the five Platonic solids were the building blocks of the universe—earth was associated with the cube, air with the octahedron, water with the icosahedron, the spirit with the dodecahedron and fire with the tetrahedron.

Alright, so this isn’t exactly wearable – unless you’re Lady Gaga! If you’re a bit more on the adventurous side of fashion, these geometric dresses are your next party piece.

Amila Hrustic - Plato's Collection

Amila Hrustic - Plato's Collection

Amila Hrustic - Plato's Collection

Amila Hrustic - Plato's Collection

The classic Americana trend is still massively in style for this Spring. Think Red Wing boots, Duluth Pack rucksacks, vintage Levi 501′s, ironic mustaches and Kentucky Bourbon. Heritage brands such as Wrangler, Barbour, Woolrich and LL Bean have seen profits sky-rocket over the last year.

New York-based handbag label, Fleabags gives a nod to the Americana trend with a collection of upcycled bags made from deadstock Pendleton wool. In its 100th year, Pendleton is legendary for its cozy, jacquard-loomed textiles – the most famous being the blankets it once traded with the Southwest Native American tribes.

Fleamarket addicts Shira Entis and Alex Bell were frustrated by the environmental hazard of accumulating plastic bags and sought to create the ideal ‘eco’ fleamarket tote. Fleabags are sourced entirely from US manufacturers and are crafted in New York of organic and vintage fabrics as well as vegetable-tanned, American and Italian leathers. All silkscreens use water-based ink. Fleabags use no toxic glues or paints, just good old fashion sewing.

The Orginal Flea in the Pendleton Indian Blanket material is perfect for a springtime of fleamarket perusal and weekend excursions to the countryside:

The Original Flea, special edition holiday 2010

The Original Flea, special edition holiday 2010

Happy holidays from us here at Launderette! Hope you make ethical choices this Christmas shopping season!

Minimum Waste, Maximum Design – Interview with Ada Zanditon

London-based designer – Ada Zanditon has been a Launderette favourite since the very beginning of the blog. We apologise for writing about Ada ad nauseum, but her label is just so very awe-inspiring!

Ada pioneers in creating and evolving luxury fashion with a common sense approach to sustainability, a commitment to transparency and a belief in business that treats people, planet and profit with equal importance.

Having worked previously for Alexander McQueen, Gareth Pugh and Jonathan Saunders, Ada is first and foremost an incredible designer. Her garments are sculptural, edgy and highly conceptual. She has quickly established herself as one of fashion’s fastest rising creative stars having been featured in likes of Vogue, Drapers, Glamour, Another, Dazed & Confused, Nylon and Random magazines.

Launderette sat down to talk to Ada about her design process, sustainability and all the exciting things we can expect from her in 2011 – Thanks Ada, we love you!

Ada Zanditon from AW10

Ada Zanditon from AW10

Launderette: First and foremost, you are a really talented and conceptual designer. We especially love your ability to play with sculpture, volume and pattern in both your garments and in your illustrations. What are your most influential design inspirations whether it’s people, places or things?

Ada Zanditon: I love Anish Kapoor’s ability to create art and sculpture that appeals to the masses. Through his clever use of proportion and colours ideas – be it chaotic or simple- he manages to transcend a universal language, making his work easy to understand. The Architectural Association also inspire me with their temporary architecture, fluid in form and nature-mimicking work often installed in public spaces is not only visually stunning but sustainable too. An animal species has formed the inspiration for every season thus far-bats bees and coral to name a few. Janine Benyus’ idea that human beings should consciously emulate nature’s genius in their designs to make sustainable is a huge inspiration to me and is at the core of the Ada Zanditon brand. I also use the theories of recursive algorithms and iterated function systems in my design and print work- using smaller identical units to build up into a larger object that no longer resembles the original unit- again something which emulates nature’s efficiency and functional systems that have been tried and tested through the process of evolution.

Ada Zanditon SS11 Collection Fashion Illustration

Ada Zanditon SS11 Collection Fashion Illustration

Launderette: We are in love with the fact that the SS11 collection is inspired by Egyptian pyramids, coral reefs and how mathematics meets the spirit of the environment. Can you give us a tiny hint about what the fashion world can expect from you for AW11?

Ada: Sorry its top secret! Needless to say though nature plays a large part.

Ada Zanditon SS11

Ada Zanditon SS11

Launderette: You are probably best known for your amazing dresses and sculptural jackets, but you also do jewellery. Tell us a bit more about your collaboration with Luca Romanyi.

Ada: We first met a LFW in Feb ’09 and its been a match made in heaven ever since! We both have a very similar design aesthetic and will be collaborating again next season. The first season ss10 when we collaborated we created pieces using recycled plastic with shredded end of line bank notes trapped inside. For AW10 we used recycled eco resin with layers of compressed nano fibers and for SS11 we tessellated triangle shapes embellished with my print , made from porcelain tiles. Johnson Tiles and Material Lab kindly understood and loved our idea and supported us by creating the tile, transferring my print onto it and cutting it into beautiful efficient triangles for us from squares… zero waste! We teamed the tile up with veg tan leather and Swarovski crystals.

Ada Zanditon w/ Luca Romanyi SS11

Ada Zanditon w/ Luca Romanyi SS11

Launderette: Let’s be honest, ecological labels like ‘ethical’ or ‘sustainable’ or ‘eco’ are often not much more than a catchy buzz-word used by clever marketing and PR people. As the momentum grows for the ‘ethical’ fashion movement, the terms themselves tend to lose their meaning. What does being ‘ethical’ or ‘sustainable’ mean to you in your business practices and for the wider fashion industry?

Ada: I am trying to create and evolve my brand into a high-end womenswear business with a common sense approach to sustainability, at the same time transforming the eco-fashion movement’s image into something sexy, contemporary whilst creating styles ranging from classic to avant-garde using minimum wastage patterns. The aim is to be a business that treats people, the planet and profit with equal importance.

Launderette: In efforts to debunk the terminology, what kind of challenges do you face in communicating your mission for ‘ethical’ fashion, and how do you deal with these challenges?

Ada: People tend to associate ethical fashion with a certain image -placing it in a very narrow minded box- and it’s this that I’m trying to break away from, trying to change the public’s perception that a brand can have an amazing aesthetic and be sustainable at the same time, as opposed to the other way round. However, in the long run all fashion ought to become more sustainably made.

Launderette: What are some of your biggest sourcing challenges, and how are you striving to improve your process with each collection?

Ada: I am always interested in sourcing innovative sustainable materials as they are created and emerge onto the market, however it is often near impossible to order theses in small quantities, which is essential to me as a small new brand. There is a lot available on the market but it often takes prolonged periods of time to obtain them and it is too often time that is not on my side as a young designer.

Launderette: And finally, If you lived in a dream world, who would you love to design for – alive or dead, famous or not?

Ada: My dream is to write an opera, starring Bowie, Viktoria Modesta and Grace Jones. Naturally I would make all the costumes and we would embark on a world tour! It could be some kind of operatic version of Labyrinth!

Oh my days, we would definitely go see that opera! I cannot even imagine how epic the costuming would be, but we reckon this is a good place to start day-dreaming – Viktoria Modesta wearing an Ada Zanditon creation:

Viktoria Modesta in Ada Zanditon

Viktoria Modesta in Ada Zanditon

Men – ethical fashion’s newest aficionado

There seems to be several new ethical fashion labels sprouting up all geared towards menswear. From the dapper business man to the cut loose surfer dude, men are getting on board (pun intended, obviously) with sustainability.

KnowledgeCotton Apparel is one such label whose vision and philosophy is truly inspiring.  To show respect for raw materials, they use only 100% certified organic cotton from sources that work towards the least possible impact on the environment and water supplies. In its efforts to show respect towards people, they choose to support independent, family-owned and operated organic farms. They also try to support small-scale farming and fair trade producers whenever they can.

Aside from the ethical mission, they do excellent men’s jackets and flannel shirts for the type of guy who wears Barbour, APC, Albam and that whole classic British look. The Peter Duffel Coat is a winter must-have:

Peter Duffel coat - 100% organic

Peter Duffel coat - 100% organic

The campaign model isn’t too shabby either.

Riz boardshorts aim to be the world’s most beautiful and environmental surf wear. Inspired by eminent print designers such as William Morris, these are truly meant for the most dapper of gentlemen (ones that surf, of course).

Established only in the last year, the label has also instituted an excellent production model they’ve coined “Rizcycle”. All Riz boardshorts are made from Teijin’s 100% recycled and recyclable sueded polyester. This process allows polyester clothing to be returned and recycled into new polyester yarn. Whereas other 100% recycled polyester fabrics cannot be recycled themselves. The “Rizcycle” process is a continuous loop. Genius!

Riz also aims to source and manufacture as locally as possible, avoids using harmful chemicals in the digital- printing process and strives to be as transparent. Every man should step into a pair of these for a winter holiday away:

Buckler 14" Morris-Sea

Buckler 14" Morris-Sea

Izzy Lane is best known for doing luxurious women’s knitwear from her own flock of Wensleydale sheep, a rare and endangered breed. She uses the last of 51 worsted spinners and one of the last dyers in the Bradford area and her cloth is woven at an ancient mill in Selkirk using Victorian machinery which has been in use for more than a century. Every garment is completely (from inception through final product) made in England.

Now the label has launched a new collection of amazing men’s knit cardigans. They are not cheap but are guaranteed to be one of the finest and most lustrous jumpers found in any man’s closet. These are completely girlfriend-steal-worthy!

Wensleydale 5 Button Cardigan

Wensleydale 5 Button Cardigan

Lest us not forget Launderette favourite – Trousers London, the premium organic jean label. Trousers London believe that a sustainable outlook should be fundamental and not an afterthought when building a brand. However, design definitely leads the way. Hand-stitched in Italy using 100% raw organic denim, Trousers London uses a small-scale manufacturer in Naples. You can read more about their story on the Trousers blog. Garnering fans such as Matthew Williamson, the classic Trouser style is the Launderette favourite:

T5A jeans - AW1011

T5A jeans - AW1011

SS11 Fashion Weeks – The ‘Ethical’ Highlights

Suno

A few months ago Launderette introduced you to Max Osterweis’ Suno, the fun and colourful collection of printed dresses, playsuits and bikinis made of vintage Kenyan textiles. This season Osterweis has teamed up with the fashion veteran, Erin Beatty, on a massively successful debut at New York Fashion Week. With many of the leading style critics raving about the SS11 collection, Suno has proven itself as a force to be reckoned with.

This season, the duo has taken its inspiration beyond trips to Kenyan with nods to traditional silhouettes of garments from India and Turkey as well. Far from being labelled an incongruent mash-up of style (see: choose an example), their amalgamation of cultures has culminated in a collection of interesting and joyful sleeveless shirtdresses, slouchy drawstring trousers and ruffled circle skirts.

Even better, Suno collaborated with Loeffler Randall on a collection of covetable printed fabric shoes. The flat sandals and sky-high wedges perfect the head-to-toe bohemian meets tropical elegance look. This is exactly what every woman should be wearing on balmy evening in the tropics or maybe just a summer night out on a rooftop in Brooklyn.

 

Suno Spring/Summer 2011

Suno Spring/Summer 2011

 

Edun

Edun has been at the forefront of ‘ethical’ fashion for years, so it’s unsurprising that this season is one-to-watch. Not only that but with such heavy-weight backers as Bono and his wife Ali Hewson, Edun can certainly be expected to have a top notch design team.

Founded by Bono and Hewson in 2005, Edun was established on a commitment to encourage trade with Africa. It began with 80% of Edun clothing being manufactured in Africa, specifically Tunisia, Tanzania and Kenya with the remaining 20% being produced in Peru and China. Since being bought out by fashion supergroup LVMH and in reaction to production problems such as late deliveries and quality assurance issues in Africa, manufacturing has moved predominantly to China.

This is obviously a disappointing reality but we still hope that Hewson can get the label back to its orignal mandate – Africa. “In every country, the first industry that really takes off is the clothing industry, and that is so important for trade and ultimately, lifting people out of poverty. If fashion can trade in a very responsible, careful, and thoughtful and committed way in those communities, then those communities can really improve.” Let’s hope she puts her business back where her mouth is.

Nonetheless this season’s collection presented lovely metallic dresses, loose-knit sweaters and masculine-cut trousers designed by newcomer and former Louis Vuitton designer – Susan Wauchob.

 

Edun Spring/Summer 2011

Edun Spring/Summer 2011

 

Auralis

A recent Launderette addition, the caribbean-inspired collection of Auralis made a huge splash at this season’s edition of The Green Shows at NYFW. The showstopping piece was a glorious silk marigold coloured dress with the season’s latest sleeve trend – the dolman. This dress is worthy of any spring-time garden party, but I would choose to pair it with elbow-length black leather gloves and sky-high black wedges for a more gothic approach.

 

Auralis Spring/Summer 2011 via Ecouterre

Auralis Spring/Summer 2011

 

Ada Zanditon

Another of this season’s massive highlights was Launderette darling – the highly-acclaimed, Ada Zanditon. Ada uses a range of organic, natural and recycled fabrics sourced as responsibly as possible and using strictly AZO-free dyes. She believes in creating and evolving a high-end womenswear label with a strong commitment to transparency and a belief in a business that treats people, planet and profit with equal importance.

Her Summer 2011 collection ‘The Pyramora’ was a bit reminiscent of Alexander McQueen with kaleidoscopic prints and tessellation-like 3D shapes. Sheer dresses, pyramid-shaped shoulders, distorted layers, body-con and structural skirts emboldened in colours of metallic onyx, vibrant red-range and soft jade are distinctive of the new collection. It’s a brave and bold step into the sustainable fashion future, and we are certain it’s going to be an exciting one!

 

Ada Zanditon Spring/Summer 2011

Ada Zanditon Spring/Summer 2011

 

Ashton Michael Black Label

LA-based label, Ashton Michael teamed up with seattle-based company Rethink Fabrics on a collection made from recycled bamboo, PET bottles, cotton and coconut fibres. Although this is only Ashton Hirota’s first foray into the world of sustainable fashion, this project is worth noting as it illustrates how even those from the fashion mainstream are becoming more aware of social and environmental sustainability. In efforts to keep it local, the entire collection was sourced and produced in the USA.

His spring collection is a gothic melange of Morrissey and Ministry entirely in black and white. His garments are torn, tattered, draped, braided and textured. Androgynous rock n rollers, eat your heart out!

 

Ashton Michael Spring/Summer 2011 via Ecouterre

Ashton Michael Spring/Summer 2011 via Ecouterre

 

Stephan Hann

Sparking a new fashion genre ‘Recycling Couture’, Paris/Berlin based designer, Stephan Hann, was a pinnacle of the most recent edition of The Ethical Fashion show in Paris. Hann’s creations are first and foremost about artistic creation in the manner of Hussein Chalayan or Paco Rabanne. Although he is not fundamentally interested in critiquing consumerist throwaway society, his creations show the possibilities of turning seemingly worthless materials into amazing, design-lead garments.

Hann became a prominent costume atelier in the 1980′s for the Deutsche Oper, Deutsche Theater and Berliner Ensemble. Since then, he has exhibited his creations in museums around the world and now works has a designer for Swarovski.

In this piece, which was presented at at the opening catwalk show at The Ethical Fashion Show in Paris, Stephan Hann stitched old photo negatives into a honeycomb pattern of black loops and layered disks of scrap into a peacock-feather style skirt.

 

Stephan Hann at The Ethical Fashion Show in Paris SS11

Stephan Hann at The Ethical Fashion Show in Paris SS11

 

Coffee and Tea clothes – they’re real!

Back in July of 2009, Tawainese company Singtex Industrial Company announced its project to create a new material for clothing made out of recycled coffee grounds – yes, you’ve actually read that correctly. Recycled coffee grounds are transformed by a patented process into a fabric called S.Café®.  Jason Chen, the company’s general manager, came up with the idea for the project while sipping coffee Starbucks – naturally!

The process of making fabric out of coffee grounds is very similar to that used to turn bamboo into a viscose-like material. The result is a soft, light, flexible and breathable material perfect for sportswear or outerwear. It’s imbued with ‘activated’ carbon, derived from coconut, which makes it UV-resistant and water resistant as well as works to keep the wearer cool while binding sweat to eliminate unpleasant odours. Apparently, it only takes the grounds from one cup of coffee to make enough material for several T-shirts.

Now a similar process is being developed using tea. Grown in giant vats of green tea, the outcome is a lightweight, leather-like fabric. Scientists from Imperial College, London have been collaborating with Central Saint Martins designers to create this new sustainable fabric . It is still in early development and those involved say it will still be a while before it hits the shops.

It just shows how much can be done towards a more sustainable and ultimately inventive fashion future. It just takes a bit of technology combined with one crazy idea and a lot of innovation.

via Centre for Sustainable Fashion at LCF

via Centre for Sustainable Fashion at LCF

Auralís and the Urban Tropical

A friend recently clued me into an ethical fashion designer from Brooklyn that’s working on her second collection – Auralís Herrero Lugo. She’s just launched a project to raise money for the launch of her SS11 collection at The Green Shows, part of New York Fashion Week. Auralís is raising funds with a new website called Kickstarter, which is a creative way to help start-up projects for artists, writers, designers, illustrators and creators of all types.

Through her upcoming SS11 collection, debuting at The Green Shows – NY Fashion Week in just over two weeks time, Auralís hopes to bring together the sustainable fashion design industries in Puerto Rico and New York.

“I want to rescue old artisanal and eco-conscious Puerto Rican crafts from extinction. I will employ and collaborate with local Puerto Rican artists to reinterpret and modernize some of the island’s cultural troves. I also want to showcase some of the sustainable and ethical fashion design initiatives already happening in the island, such as Concalma–a line of sustainably and ethically manufactured bags and purses. The collection will also include exclusive custom fabric prints from local NYC textile designers. The fabrics will be block printed at my Brooklyn studio, using vegetable natural non-toxic inks.”

Auralís studied fashion at Philadelphia’s Moore College of Art and Design in 2005. She then moved to New York City where she has worked for Susana Monaco. In 2009, she left behind designing those mediocre dresses and opted to start her own label with an eco-conscious twist. And thankfully she did because her own designs are far more interesting!

The inspiration comes from her Caribbean childhood memories and breezy summer nights in the tropics, which you can instantly detect by how her garments are draped. She mainly uses hemp, bamboo and organic cotton which tend to be much less detrimental to the earth. Auralís also employs both local Puerto Rican and New York artisans and manufacturers in the production process.

Auralís SS11 collection is inspired by  the theme ‘Urban Tropical’, an amalgamation of Puerto Rico, the Caribbean and New York n the 70’s. Her imagined scenario is a scene where a group of Salsa musicians and artists, circa 1978, found themselves stranded on an island. In her vision, Willie Colon and Halston venture into Culebra, a pristine untouched Caribbean paradise.

My favourite piece is this convertible jumpsuit. The two front pieces can be changed to wrap around into virtually any sort of shape. It can have either a 70′s or an early 90′s feel depending on how it’s worn. Love!

Auralís SS11 Black Versatility Jumpsuit

Auralís SS11 Black Versatility Jumpsuit

Auralís SS11 Black Versatility Jumpsuit

Auralís SS11 Black Versatility Jumpsuit

Stay tuned for more on the designers exhibiting at The Green Shows - New York Fashion Week: 12-14 September 2010 at the Metropolitan Pavilion.

Helen Furber’s ‘Icica’ wedges – heart melting!

‘Sustainable fashion’? What’s that you may ask? Well, there’s myriad ways of defining it, but here’s one woman’s take on sustainable shoe design.

Helen Furber, a recent graduate of Cordwainers London College of Fashion, has created these futuristic wedges that challenge the consumption and disposal of fashion from the very beginning of the design process. End-of-life disposal is something very rarely considered in any design process but particularly in today’s world of ‘fast fashion’. On the contrary, Helen seeks to challenge this phenomenon by creating shoes that have not just longevity and timeless appeal but also are completely recyclable. Each part of Helen Furber‘s shoes can be disassembled post-consumption for recycling, and the stalactite-looking heel is actually made of bio-resin, which is a material derived from sunflower oil and is used for casting and laminating.

Launderette caught up with Helen to hear more about how she goes about sourcing materials. “I spent a lot of time and effort researching materials and sourcing… In so far as leather is concerned, as a past vegetarian I’m particularly conscious about the use of animals in products – from testing of cosmetics to meat. Now, I make a point of buying Organic meat only. I felt that there was a missing parallel in the leather industry, and set out to find it.”

Helen uses ‘natureally‘ organic leather, the only tannery worldwide to guarantee the Soil Association‘s highest standards of animal welfare. Each unique piece of leather is sourced from Organic British rare breed cattle and is free of toxic chemicals such as chrome, varnish or other plastic coatings. On the ultimate luxury level, Helen explains that “the ‘exotic’ skins in my designs are from animals killed for meat – fish and ostrich, and come from Atlantic leather tannery in Iceland, which still use traditional tanning techniques as well as local geothermal energy to power their plant.”

Acne eat your heart out. Your wedges may be coveted amongst the current fashion set, but I reckon Helen Furber’s are the must-have pair of the future. The ‘Icica’ wedge is not only more sustainable but equally (dare I say more?) awe-inspiring. It’s like actual ice sculptures are holding you up – minus the melting part.

Helen Furber's 'Icica' wedge in white - 2011/12

Helen Furber's 'Icica' wedge in white - 2011/12

Unfortunately, Helen’s collection is still at the prototype level, and Launderette will be the first let you know when they go into manufacturing. In fact, I’ll hopefully be one of the first with a pair of these beauties on my feet!

Helen Furber's 'Icica' wedge in black - 2011/12

Helen Furber's 'Icica' wedge in black - 2011/12

In partnership with the Y-3 Adidas team, the wedge units were made from rapid prototypes, which were then moulded and cast in collaboration with Studio van der Graaf, a resin and perspex specialist company based in London.

Construction of the 'Icica' wedge

Construction of the 'Icica' wedge

The technical design process

The technical design process

Watch her video to find out more about the technology behind each pair’s construction:

Icica from Helen Furber on Vimeo.

THEKEY.TO – Berlin Fashion Week

Next weekend in Berlin, Launderette will be checking out the THEKEY.TO, an international event for environmentally and socially sustainable fashion, lifestyle and culture. Now in it’s third edition, THEKEY.TO brings together the most innovative and contemporary brands at the leading edge in terms of successfully merging style and a responsible approach. The theme for this season’s event is ‘Acceleration’, which represents the vision of increasingly strong and innovative sustainable design industries that promote an ideal blend between aesthetics, ecology and ethics.

THEKEY.TO aims to maintain a high standard of sustainability throughout the fair including the selection of its exhibitors. To guarantee this standard is upheld, the sustainability criteria is reviewed and revised several times a year with respect to new developments within the sustainable clothing industry. The criteria requires the use of sustainable, environmentally-conscious materials, fair social and labour standards and a responsible, traceable supply chain.

The founder of THEKEY.TO is Fran Prins, who over the years has been organising workshops and events around sustainability across the world with his creative NGO, Grass Routes Foundation. Frans is a complete visionary in the field of sustainable fashion, and to top it all off, he couldn’t be a more friendly, approachable and all -around lovely guy. Launderette is a big fan!

This edition of THEKEY.TO includes exhibitors from across the world and several Launderette favourites:

Flavia Aranha – Sao Paolo

The namesake label of Brazilian- born Flavia Aranha is a salacious collection of everyday womenswear pieces in soft, neutral tones using all-natural dyes and fair trade materials. Aranha strives to work closely with rural communities and small farmers to promote economic development in the areas of Brazil where she sources materials.

In rich but muted shades of grey and taupe, she creates simplistic designs without losing an attention to detail. Her garments are the type of clothes you could wear anywhere from the beach to a lunch meeting to an evening out in fabulous Sao Paolo. It’s minimalist chic at its finest and most comfortable.

WUNDERVOLL – Berlin

There’s a reason why this lingerie label is carried by Barney’s New York – because it’s the epitome of luxury. Honestly, it’s absolutely divine! Matthias Jaschke, the label’s founder, creates fashionable, luxury underwear for everyday wear using selected materials from Germany and an exclusively domestic manufacturing process.

WUNDERVOLL’s trademark silk jersey is produced exclusively for the label in Germany, in combination with biophyl, an innovative artificial fiber. Biophyl is made from corn, a renewable raw material, and generates a very low level of CO2 emissions in its manufacturing process (63% less than nylon).

The collection has been designed to be mixed and matched with a sophisticated colour palette reminiscent of earth tones. The high-waisted panty is a personal favourite with an understated retro pin-up feel.

Elementum – Netherlands/Portugal

Elementum is a clothing collection by Daneila Pais based on the total use of a piece of a cloth where minimum cuts provide maximum use. It was borne out of her research into industrialized models and consumer behaviors as well as an exploration into other models of consumption prompted by the massive consumption waste that characterizes modern society. Her pieces are multi-purpose and can function as a scarf, dress, shirt, jacket, skirt and trousers. It definitely makes you think about your body, how you dress and how you consume in different and hopefully more profound ways.

Elementum 2010-11

Elementum Refine 2010

Elementum Refine 2010

Daniel Kroh – Berlin

Danile Kroh is another innovative designer to join the ‘upcycling’ trend by repurposing clothes deemed unusable by the working world to create fashion for men and women as well as quirky and functional furniture.  He tends to mainly use denim and other industrial textiles to create anything from tailored suits to denim jeans to chairs and couches in bold colours and whimsical designs. His furniture is particularly genius but he also does a well-designed women’s blazer that can be worn for work or with jeans for a more played-down approach. Let this couch lend you an arm or five!

Daniel Kroh Walking Chair

Daniel Kroh Walking Chair

Magno Wooden Radio – Hamburg

This wooden radio is a definitive must-have for every BBC World Service listening hipster (I point my finger at myself, here). With its sleek minimal design and strong commitment to sustainable values, this is by far the most fashionable way to stay at home to listen to ‘This American Life’.  If I don’t see the Magno on the shelves of Urban Outfitters in the next year, I’ll be utterly shocked.

The Magno Wooden Radio was originally created by the Indonesian designer Singgih Susilo Kartono. Every radio is hand-made within 16 hours. They are also manufactured in an environmentally sustainable production-process, which covers fair social standards in the company. Only plantation wood is used in the production. The profits support the development of a plantation surrounding the production facility, where about 30 youths receive a sound schooling in handicrafts. The output of this work helps to develop the village-community in Kandangan, a remote area in Indonesia where every radio is manufactured.

Magno Wooden Radio

Magno Wooden Radio

Merel Karhof - London/Netherlands

Merel Karhof works within the public space using elements that people share from the most obvious thing like the wind to ignored details like the pattern on a manhole cover. At THEKEY.TO, Karhof will be exhibiting a wind powered knitting machine and the plans for an entire wind power knitting factory. Using the power of the wind, the machine knits from the outside towards the inside of a building. The knitted material is harvested from time to time and rounded-off in individually packaged scarves, which each gets its own label telling you exactly how much time it took to knit all of the material required for the scarf. Say goodbye to fast fashion as we know it!

Wind Knitting Factory

Wind Knitting Factory

Don’t miss THEKEY.TO as part of Berlin Fashion Week  at the Postbahnhof, July 8-10 2010